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Confessions of a Teenage Drama Queen $6.57 Rated: PGSynopsis: Lindsay Lohan is not a Mean Girl in this adaptation of Dyan Sheldon’s young adult book favorite. But she is an unappealingly self-absorbed “drama queen” who must suffer the slings and arrows of moving from her beloved New York City to suburban New Jersey. Mary, who insists on being called Lola, considers herself “a flamingo in a flock of pigeons.” For Lola, it’s all about “fighting against ordinariness,” “living in style,” and landing the lead role in her high school play, a contemporary adaptation of Pygmalion. In fact, she is only barely more tolerable than her requisite high school nemesis, the beautiful, popular, and rich Carla Santini (Megan Fox), who also feels entitled to center stage and whose father is the lawyer for Lola’s favorite rock band. The most sympathetic character is Ella (Alison Pill), Lola’s misfit best friend, especially when Lola manipulates her into crashing a rock concert and after-party so that she can meet her singing idol. It is a tribute to Lohan’s considerable charm and likability that viewers don’t lose all patience with Lola, although it is fun to anticipate her comeuppance, however light it turns out to be. Confessions is also enlivened by the always reliable Carol Kane as Lola’s high-strung drama teacher, a lively pop soundtrack (including the requisite Lohan track), and director Sara Sugarman’s surprising surreal flourishes illuminating Lola’s fanciful view of the world. Donald LiebensonBritish actress/director Sara Sugarman makes her U.S. feature debut with the Disney-produced comedy Confessions of a Teenage Drama Queen, based on the young-adult novel by Dyan Sheldon and adapted for the screen by Gail Parent. The story concerns a popular urban teenager named Mary Elizabeth Cep (Lindsay Lohan), who is convinced her real name is Lola. Unfortunately, her family moves from fashionable New York City to a small suburb in New Jersey. Disturbed by her environment, Lola is quick to wage war against the popular Carla Santini (Megan Fox). She’s also pursued by high school hunk Stu Wolff (Adam Garcia), but chooses to focus her attention on winning back her title of Most Popular Girl in School. With the help of a frumpy drama teacher (Carol Kane) and shy new friend Ella (Alison Pill), Lola creates a dramatic performance to earn her coveted high status. Andrea LeVasseurPRODUCTION AND TECHNICAL NOTES:Aspect Ratio: Pre-1954 Standard (1.33.1)Presentation: Pan & ScanSound: THX-Supervised MasteringFeatures: Deleted scene “Eliza’s Fantasy”; Music video “That Girl,” by Lindsay Lohan; Behind-the-scenes featurette: “Confessions From the Set”; Audio commentary with director Sara Sugarman, writer Gail Parent, and producers Robert Shapiro and Jerry LeiderLanguage: English, FrançaisSubTitles: FrançaisTime: 1 Hour 30 Minutes

On Drama $70 The latest book by noted critic and scholar Michael Goldman provides fresh and unexpected insights into the role played by genre in the experience of drama…

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Audio Drama

A Closer Look at Radio Drama

Similarities do abound of course between radio drama and pieces performed on the stage, film and television, however, the ability to move, inspire, and create solely through the collaboration of the human voice and the mind is a magnificent feat that requires the utmost discipline, insight and flawless interpretation of a voice actor.

To recognize the obvious, radio drama lacks a visual component and therefore is subject to the interpretation of the listener through sound and speech. Theatre, film, and particularly, live performances, Are All visual experiences that generously communicate to their audiences through additional senses such as sight, smell, and touch while incorporating sound and speech.

As radio drama caters specifically to sound and speech, the most universally heightened of the senses, opportunities arise for a richer listening experience free from external distraction while enabling an audience member to conjure up their own visual version of the radio drama.

In radio drama, the script needs to be expertly written, accommodating the intellectual needs a listener. The voice actors role is to breathe life into the script and the producers role is to observe all Foley elements as are required to enhance the performance while providing additional mental stimulation for the audience. I liken this parallel to the intellectual experience and satisfaction that reading quality literature brings.

Performers of radio dramas are indeed actors. There is no question about it. It is simply a different application that provides its own unique set of challenges and adventures. In order to perform a voice-acting role, a person needs to be first and foremost an actor at heart.

In fact, many people use physical gestures and dialog with each other in sessions similarly to how actors feed off of each others energy on stage, film or television. There is a real chemistry that comes across when voice actors have synergy with their cast mates, quite comparable to the same electricity that face-to-face acting brings.

Now that we’ve looked at radio dramas in general, let’s explore marketing audio dramas and increasing the number of listeners for a radio drama.

Independent producers and groups have an enormous opportunity to reach new listeners on a global scale by means of podcasting. Using podcasting as a means to attract new listeners is fundamental to the success and continued discovery of this art form through popular and new media.

There are several independent radio theatre troupes around the globe that have sought to expand their listener base through podcasting and have affiliated themselves with websites that facilitate the spreading of their message, including organizations such as LibriVox, a group of people dedicated to recording audiobooks and making audio dramas more accessible to the public.

Submitting an established radio drama to podcast directories is also a brilliant way to increase the circulation, mind-share (and ear-share) as well as awareness for the craft. One popular radio drama I discovered this year, The Radio Adventures of Doctor Floyd, leveraged the celebrity status of one of their cast members, June Foray, to boost its appeal and gain a larger audience.

Voice actors who perform audio dramas ally themselves with Voices to help promote their work and gain a wider reach concerning new listeners and even new members of their radio drama clubs. For instance, there is the Amateur Voice Acting Group (AVAG) in San Diego, California established by David Johnson.

When he launched his voice-acting group, the VOX Daily voice actor blog was there to help with promoting David’s organization to other talent in the San Diego area through Voices.

A membership to an online voiceover marketplace is without question one of the best investments and outlets for voice professionals in the radio drama field. Each voice actor is encouraged to upload a sample of their voice and list their work or voluntary experience. Many voice talent have started out as narrators for audiobooks produced for the blind as a steppingstone in their careers.

Loom audio drama Part 1/3 (LucasArts)